Mangalampalli Balamurali Krishna's birth on July 6, 1930. he is an Indian Carnatic vocalist, multi-instrumentalist, playback singer, composer and actor. He was awarded the Padma Vibhushan, India's second highest civilian honour, for his contribution towards Indian Art. He was made Chevalier of the Ordre des Arts et des Lettres by the French Government in 2005.
Balamurali Krishna was born in brahmin family of Sankaraguptam, East Godavari District, Andhra Pradesh state.[2] His father was a well known musician and could play the flute, violin and the veena
and his mother was an excellent veena player. His mother died when he
was an infant and Balamuralikrishna was raised by his father. Observing
his inner penchant towards music, his father put him under the tutelage
of Sri Parupalli Ramakrishnayya Pantulu. Sri Pantulu was a direct descendant of the sisya parampara of Saint Thyagaraja.
Under his guidance, the young Balamuralikrishna learnt Carnatic Music.
At the age of eight, Balamuralikrishna gave his first full fledged
concert at a Thyagaraja Aradhana, Vijayawada. Musunuri Suryanarayana
Murty Bhagavatar, a distinguished Harikatha
Balamuralikrishna thus began his musical career at a very young age.
By the age of fifteen he had mastered all the 72 melakartha ragas and
had composed krithis in the same. The Janaka Raga Manjari was published
in 1952 and recorded as Raagaanga Ravali in a nine-volume series by the
Sangeeta Recording Company.[3] Not merely content with his fame as a carnatic vocalist, very soon started playing the kanjira, mridangam, viola and violin. He also accompanied various musicians in violin and is also noted to give solo viola concerts.
Balamuralikrishna started his career at the age of six. Till date, he has given over 25000 concerts worldwide.[4][5] He accompanied Pandit Bhimsen Joshi. He also gave jugalbandi concerts with Pandit Hariprasad Chaurasia and Kishori Amonkar, among others. He is also known for popularising the Compositions of Sri Bhadrachala Ramadasu and Sri Annamacharya.
Balamuralikrishna's concerts combine sophisticated vocal skills and
rhythmic patterns of classical music with the popular demand for
entertainment value. Balamurali Krishna has been invited to give
concerts in many countries, including US, Canada, UK, Italy, France,
Russia, Sri Lanka, Malaysia, Singapore, Middle East and many more. While
his native tongue is Telugu. His work includes other multiple languages of Kannada, Sanskrit, Tamil, Malayalam, Hindi, Bengali, Punjabi.
He appeared as featured soloist with an award-winning British choir, performing the "Gitanjali Suite" with words from Rabindranath Tagore's Nobel Prize-winning poetry and music by Dr. Joel, the noted UK-based Goan composer. His clear diction in several languages prompted an invitation to record Tagore's entire Rabindra Sangeet compositions in Bengali, preserving them for posterity. He has sung in French, and even ventured into jazz fusion, collaborating with the top Carnatic percussion teacher, Sri T.H. Subash Chandran, in a concert for Malaysian royalty.
He has recently become increasingly interested in music therapy,
and now performs only occasionally. He gave its authorization to S. Ram
Bharati to found "Academy of Performing Arts and Research" in
Switzerland and is also working on music therapy. He established the
'MBK Trust' with the objective of developing art and culture and for
carrying out extensive research into Music Therapy. A dance and music
school, 'Vipanchee' is a part of this Trust and is run by his managing
trustee Kalaimamani Saraswati.
In February 2010, he did a three-day concert in Vishakapatnam, a first in his career.
Balamuralikrishna has composed over 400 compositions in various languages like Telugu, Sanskrit, Kannada and Tamil.
His compositions range from Devotional to Varnams, Krithis, Javalis and
Thillans, in all the fundamental 72 melakartha ragas to film music.
He made his acting debut with "Bhakta Prahlada" (1967) under AVM Productions as Narada, and has acted in various films.
Characteristic of Balamuralikrishna's musical journey has been his
non-conformism, spirit of experimentation and boundless creativity.
Balamuralikrishna has innovated the whole Carnatic Music System by
keeping its rich tradition untouched. The ragas like Ganapathi,
Sarvashri, Mahati, Lavangi etc. are credited to him. The ragas which he
invented represent his quest for new frontiers. Ragas like Lavangi are
set to three or four notes in ascending and descending scale. Ragaas created by him, like Mahathi, Lavangi, Sidhdhi, Sumukham have
only Four Notes; While Ragaas created by him, like Sarva Sri, Omkaari,
Ganapathy have only Three Notes .
He also innovated the tala system. He has incorporated "Gathi Bedam"
in the "Sa Sabdha Kriya" ( Actions in Talas, which can produce
sound/Sabdha are called Sa Sabdha Kriya )part of the existing Tala
chain, thus throwing open a new chain of Tala System. Saint
Arunagirinaadhar used to inject such systems in his famous Thirupugazh,
but only as Sandham, while Balamuralikrishna is known to be the pioneer
in bringing such Sandhams into a logical rhythm, with Angam &
Definition. Thri Mukhi, Panchamukhi, Saptha Mukhi & Nava Mukhi are
the Basic Classifications, he has named for his New Tala System.
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